A protagonist is the leading, center character of a story. An antagonist is the primary opponent or foe of a story’s protagonist.
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Alanna Madden
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February 6, 2021
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Grammar Tips
A protagonist is the leading, center character of a story. An antagonist is the primary opponent or foe of a story’s protagonist.
The difference between a protagonist and an antagonist largely depends on whether you’re discussing storytelling or real-life scenarios.
Traditionally, the noun protagonist describes a leading character who drives the story forward, although contemporary English now uses “protagonist” for any leading figure of a cause.
The noun antagonist simply means ‘an opponent’ or ‘adversary:’ one that fights against a struggle (and typically that of the protagonist). Writers typically use this term to describe literature, film, or theater, but there are other contexts where it is just as useful.
“Protagonist” is a late 17th-century English noun that derives from Greek prōtagōnistēs for ‘first combatant,’ and developed its essence in the context of Greek drama. During this time, a protagonist was known as the “first actor” supported by the chorus in a classical Greek tragedy.
Fast forward a few thousand years, and we now use the noun to describe any ‘leading or major character from a fictional story (e.g., drama, novel, screenwriting, video game, etc.)’ (“Protagonist” 1403). For example,
While less accepted, contemporary definitions of “protagonist” also include:
For example,
[1] Antihero, chief character, false protagonist, figure, key, hero, lead, leading actor/actress, principal, star, title role.
[2] Advocate, advocator, apostle, backer, booster, champion, espouser, exponent, expounder, friend, herald, hierophant, loyalist, paladin, promoter, proponent, supporter.
Adversary, antagonist, critic, enemy, foe, opponent, rival.
The noun protagonist originates from Greek prōtagōnistēs, where the prefix prōto- means ‘first in importance’ and the suffix agōnistēs means ‘actor’ or ‘combatant’ (1403). According to The American Heritage Dictionary, Greek agōnistēs’ stems from agōnizesthai, where agōn is ‘to contest’ and agein is ‘to drive’ or ‘lead.’
In the context of storytelling, an antagonist is the opponent of the protagonist. But when we use the noun in everyday English, we are mainly citing an adversary: someone that actively opposes or responds in a hostile manner.
For example,
If we look through NOED, the noun antagonist can also mean ‘a substance that impedes the physiological action of another,’ or a ‘muscle that counteracts another muscle in the body’ (“Antagonist” 65).
For example,
Adversary, archenemy, archfoe, bane, enemy, foe, hostile, nemesis, opponent, rival.
Accomplice, advocate, ally, amigo, champion, exponent, friend, partner, proponent, supporter.
English antagonist is a late 16th-century noun adopted from French antagoniste and late Latin antagonista. However, the term originated from Greek antagonistes via antagonizesthai, where its initial meaning took the form of ‘to struggle against’) (65).
As shown above, the modern definitions of “protagonist” sound similar to that of a story’s, right? But we cannot forget that a protagonist is not always an advocate or champion, or vice versa. Yoda is an advocate for Luke Skywalker, but is he the protagonist of Star Wars? Absolutely not.
Additionally, contemporary use of “protagonist” is often diluted by two false assumptions:
The second assumption is the most problematic when it attributes “protagonist” to a ‘supporter’ or ‘proponent,’ as there are many instances where supporting or main characters are not technically “protagonists” (Garner 742).
For the sake of clarity, scholarly sources implore writers to reserve “protagonist” for the foremost prominent figure(s) of a real-life situation or a fictional story. And we agree.
We now know that a protagonist is the leading character in a story, while an antagonist is their main opponent. But there’s still plenty of ambiguity around supporting characters, villains, or whether they require certain character traits for their role.
To answer these questions and more, let’s start by addressing three common qualities of a protagonist:
As we can see from this list, a protagonist can be any type of character so long as they are the main focus of the story (and no, the story doesn’t need to follow their point of view). But when it comes to the antagonist, there is only one requirement: to be pitted against the protagonist as their primary opponent.
Examples of classic protagonist vs. antagonist dynamics include:
In general, there are four categories of protagonists:
Some of the most well-known hero protagonists are prototypical “good guys.” They are brave, selfless, and guided by a clear moral compass (and often a love interest).
Examples:
The antihero is the “unlikely hero” that lacks some of the admirable qualities of the “hero.” But despite what the name implies, an antihero is not a “bad guy.” Antiheroes are relatable, complex characters that range anywhere between the grumpy do-gooder, virtuous satanist, principled rebel, or noble serial killer.
Most antiheroes have questionable morals, sure, but their consistent quality is that they can do the right thing, and sometimes they do (but often for the wrong reasons).
Examples:
As noted by The Bedford Glossary of Critical and Literary Terms, an antihero is not the same thing as an antagonist or villain, where the latter is defined as “an evil antagonist” (Murphy 22). There’s a different term for that: the villain protagonist.
The villain protagonist is a central, leading character who is not motivated by anything other than their self-interests. But what makes them different from the antihero, who can be selfish too, is that they consistently do the “wrong thing” and with bad intentions.
Examples:
Lastly, we have the false protagonist or “decoy protagonist,” which is one that audiences don’t see coming. In this case, a writer develops a story’s protagonist only to suddenly kill them off or switch roles in a plot twist. HBO’s Game of Thrones (adapted from author George R. R. Martin) is notorious for false protagonists, where numerous main characters are killed left and right.
Even Disney got in on the action with The Lion King when Mufasa was suddenly killed at the hands of his evil brother, Scar (smh). But perhaps one of the most famous false protagonists is Marion Crane from Psycho, who survived nearly half of the film before her famous murder scene.
When it comes to creative writing, the antagonist takes the role of anyone who oppresses the protagonist’s goals. A few of the most common categories include:
The traditional role of the villain or villainess is to destroy the protagonist, to be the “evil bad guy.” And unlike the “villains protagonists” discussed earlier, villain antagonists are not the lead character. They take a secondary role to the protagonist and remain as the primary source of conflict.
Examples:
Despite the name of this antagonist, there’s no requirement for “everyday antagonists” to be “everyday people.” Their main distinction is that they are not evil and that their interests conflict with the story’s protagonist. We generally describe this antagonist as manipulative, cowardly, pathetic, selfish, or rude. But, sometimes, they just make the protagonist feel insecure.
Examples:
Oftentimes, the antagonist is not a human or supernatural being with human-like qualities but rather an inanimate force. Nature is one of the most common inanimate forces, whether or not it’s actually “inanimate.” For example, the shark from Jaws is an inanimate force because it’s a non-human antagonist.
Examples:
Test how well you understand the difference between protagonist and antagonist with the following multiple-choice questions.
Answers